Download gratuit nelu bucur ionica radu colaj 41 minute. Descarca acum gratis nelu bucur ionica radu colaj 41 minute numai pe VitanCLub.net, sursa ta de muzica noua zilnica. Inna is the eponymous and fourth studio album recorded by Romanian singer Inna.It was released on 30 October 2015 by Warner Music, while a Japanese version of the record titled Body and the Sun was made available on 23 July 2015 by Roton and Empire Music. The singer collaborated with various producers on the album, including The Monsters and the Strangerz, Axident, Play & Win and Thomas Troelsen.
Related‘Mo’ was inspired by real events pulled from the news. What made you want to dramatize that story for your first feature film?It’s not important that we started from a real story, because it happens all the time in Romania, and people would believe anyway that this happens all the time. When I finished the script, I gave it to some people in the industry to read, and one of them – an important one – said, ‘You don’t have a subject.
You don’t even need to make a movie—it’s a stupid script. Because if those two stupid girls go to his apartment, there’s no surprise, and you don’t have a reason to make the film.’ I thought about this, and then I decided I really have to do this.When I finished the film, just when I finished the production, the whole #MeToo campaign started. And this confirmed for me that I made a good choice by making the film.The #MeToo movement hasn’t really caught on in Romania. Why don’t you think this has become a bigger conversation?Another thing that greatly influenced my film and the script-writing process was a statistic made at the European level which asked if rape can be justified in certain circumstances. If the victim drinks alcohol, if she goes to his apartment, if she doesn’t say a decisive ‘no.’ Thirty percent of Europe said it was justified; in Romania, it was 55%.
We are the top.This modified my script. In the beginning, everything was more aggressive. And then I went to that limit where the 55% thought it was justified. I would like, ideally, that those 55% will see all those circumstances and that they’re opinion in the end will be that this is not justified, this is awful.When we first meet the professor, he’s a very stern, almost authoritarian figure. But later on, in his apartment, he becomes much more complex: Charming, sensitive, wounded by his own disappointments. Yet at the same time, someone who has – and wields — power over Mo and Vera, in a disturbing way.
Did you have any reservations about portraying him at times so sympathetically?